In the Gaura-gaṇoddeśa-dīpikā (147–53) it is stated, “The pleasure potency of Śrī Kṛṣṇa formerly known as Vṛndāvaneśvarī is now personified in the form of Śrī Gadādhara Paṇḍita in the pastimes of Lord Caitanya Mahāprabhu.” Śrī Svarūpa Dāmodara Gosvāmī has pointed out that in the shape of Lakṣmī, the pleasure potency of Kṛṣṇa, she was formerly very dear to the Lord as Śyāmasundara-vallabhā. The same Śyāmasundara-vallabhā was present in Lord Caitanya’s pastimes as Gadādhara Paṇḍita. Formerly, as Lalitā-sakhī, she was always devoted to Śrīmatī Rādhārāṇī. Thus Gadādhara Paṇḍita is simultaneously an incarnation of Śrīmatī Rādhārāṇī and Lalitā-sakhī. In the Twelfth Chapter of this part of the Caitanya-caritāmṛta there is a description of the descendants or disciplic succession of Gadādhara Paṇḍita.
Cc Adi Lila 10:15
Sri Gadadhar was the consant companion of Mahaprabhu from the time of their childhood. His father’s name was Sri Madhva Misra and his mother’s name Sri Ratnavati-devi. They lived very near the house of Sri Jagannatha Misra in Mayapura. Ratnavati-devi thought of Saci-devi as her own sister, and always used to visit her.
During their childhood, Sri Gaura Hari and Gadadhara would play together, sometimes at Mahaprabhu’s house and sometimes at Gadadhara’s house. They both studied together at the sameschool. Gadadhara was a few years younger than Nimai. Nimai couldn’t remain without Gadadhara even for a moment and Gadadhara likewise couldn’t stand to be separated from Nimai.
In the Gaur-ganoddesa-dipika, it is described that that person who in Vraja was the daughter of Sri Vrsabhanu Raja, namely Srimati Radharani, is now celebrated as Sri Gadadhara Pandita.
Srila Svarupa Damodara has written in his diary: avani sura bavah Sri Panditakhyo jatindrah / sa khalo bhavati Radha Srila Gauravataro.
One day, Sri Gadadhara, having heard that Mahaprabhu will speak Krsna-katha at Suklambara Brahmacari’s house, went there and sat down inside. Meanwhile, Mahaprabhu arrived outside on the verandah and began to speak about Krsna to an audience of devotees there; Gadahara Prabhu listened from within the house. Soon Mahaprabhu became totally absorbed in the ecstacy Krsna-prema, which quickly spread to the assembly of devotees. For some time, they continued to taste the mellows of love of Krsna together and then becalmed themselves.
Gadadhara, however, couldn’t restrain his ecstacy. With his head bowed down, he continued to cry very loudly. Hearing his pitiful sobbing, Mahaprabhu inquired, “Who is crying within the room?” Suklambara Brahmacari replied, “Your Gadadhara.”
Mahaprabhu exclaimed, “Gadadhara! You are so pious and virtuous. Since your very childhood you were so devoted to Krsna. My life has been wasted. Due to my previous evil activities I cannot get the association of the Lord of my life, Sri Krsna.”
Saying this Prabhu embraced Gadadhara in great love.
When Mahaprabhu began His pastimes in Navadvipa, Gadadhara was his chief companion. Radha-Krsna of Vraja are now sporting on the banks of the Ganga as Gadai-Gauranga, and the cowherd boyfriends of Vraja are assisting in His pastimes of kirtana.
One day after roaming throughout the town of Navadwipa, Mahaprabhu came to a forest and seated Himself there. Then He began to remember His pastimes in Vraja. Mukunda began to sing the purva-vag (courtship) songs in a very sweet voice while Gadadhara collected some flowers from that forest and after stringing a garland placed it on Prabhu’s neck. Previously, in the way that Sri Radha used to decorate Sri Krsna, Gadadhara began to dress Prabhu in that exact same manner. Some were singing beautiful songs, while others began to dance in a very graceful style. Then Sri Gaurasundara taking Gadadhara by His side seated Himself on a dias at the base of one tree, while Adwaita Acarya began to offer arati. Nityananda seated Himself on Prabhu’s right side and Srivasa Pandita began to decorate everyone with flower garlands. Narahari was fanning that Divine couple with a whisk made from the tail hairs of forest cows. Suklambar decorated them all with sandalwood paste while Murari Gupta recited the premdhani. Madhava, Vasudeva, Purusottama, Vijaya, and Mukunda began to sing songs in the various ragas.
Then Prabhu closed his pastimes in Nadiya and as per his mother’s request he took up his residence at Nilacala. Gadadhara also went there to live at this time. He engaged himself in the service of Sri Tota Gopinatha. Mahaprabhu would very often visit His dear friend Gadadhara and lose Himself in discussions on the topics of Sri Krsna. The temple of Sri Tota Gopinathji is located near the ocean at Yameshvar.
When Lord Caitanya traveled to Sri Vrindavana, Gadadhara, not being able to bear separation from Him, wanted to go also but Mahaprabhu reminded him of his vow of Ksetra-sannyasa (by which he was to remain constantly in Sri Ksetra in the service of Sri Gopinatha) and sent him back.
Sri Gadadhara Pandita would regularly recite Srimad Bhagavatam. Sri Gaurasundara, along with His associates, would listen.
Then one might ask a question, if Lord Chaitanya is Radha and Krsna combined, where is the necessity for the appearance of Gadadhara Pandit?
The answer to this is that it has been explained that Mahaprabhu is Krsna in search of the loving sentiment of Radha for Krsna. Sri Gadadhara Pandita represents that bhava personified, and thus he has appeared to be at the side of Mahaprabhu to assist him in his search. In this explanation, Gadadhara gives his unalloyed love to Lord Gauranga willingly.
It has also been explained that Krsna has stolen the bhava of Radha and appears as Mahaprabhu, Radha Krsna combined. Gadadhara represents that which is left of Radha after Krsna steals her bhava. The mood is that seeing that neither Sri Radha nor Sri Krsna appear on the Purnima tithi (full moon), but when The Divine couple combine as Sri Caitanya Mahaprabhu, this appearance in the world occurs on the Purnima in Navadwipa.
Sri Gadadhara pandit appears on the new moon and leaves the world on the same day. New moon means no moon – dark moon or Amavasya tithi. He also appeared in a land that is desert-like, dry, and vacant in contrast to the lush Ganga basin of Navadwipa.
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